Je Suis Charlie (Āṟa maḻa naṭaṉam tuṟaṭṭi iṉṉala)

Je Suis Charlie

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thaki

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I was told of the Musique.laclasse CD that was released in 2007, but was unable to find out how to purchase it or even if it was still available, so I set out to create my own version which is what you can hear above. I have no idea if mine is even close to the original, but it’s not really intended to be – just a fun exploration of the soundfiles made available from the site. It was done in one uninterrupted 50 minute take.

The Musique.laclasse.com CD was the result of numerous workshops Lionel Marchetti conducted in schools with children from 12 to 16 years old. The composer helped the kids record source material then process it themselves with effects and montage. The 2007 CD was a selection of some of these musique concrète tracks and was meant to be played on shuffle mode with the silent tracks popping up here and there. Some of Marchetti’s own technique would spring up occasionally but with a fresh and naive take on musique concrète.

Uppalapu Srinivas

Lately, I’ve been making too many playlists honoring musicians who’ve recently died,
but whether it’s been Joe Sample, Jackie Cain or Kenny Wheeler, they’ve lived
a pretty good long life – 75 to 86 years old. Now, I’m coming to terms with the
death of a master musician who was only 45 years old – a man who just kept
getting more amazing and whom I expected to be able to give the world at
least 40 more years of his amazing musicianship.

In the eighties, I remember sitting in a favorite Indian restaurant and being
gobsmacked by what I was hearing over their sound system. Who was this
seasoned professional player of this stringed instrument? When I was shown
the cover of the cassette, I wondered why this child was featured on its cover.
Was this the performer’s young son? …and why would he feature the child over
himself. My quest began to find more recordings – going to every Indian food
and/or video store I could find to grab up more of this wonderful food for the soul.
Since those days, I’ve had the chance to see Uppalapu “Mandolin” Srinivas
simply known as U. Srinivas – a couple of times in concert. When he last
arrived in town in May of last year, I couldn’t make it to the show (and figured
that he’d be back again in a couple of years – he was only 44, so yes, he was
bound to come back, right?), but I had told a friend who was a member of the
local Indian music society that he really should go see him for his first time.
You may know his work with Remember Shakti and Michael Brook
plus various wonderful soundtracks. He made nearly 50 recordings and now
Srinivas is gone – complications that arose from a liver transplant the day before.

YouTube is filled with his work, and here‘s a Spotify link to start
you off on your journey if you haven’t yet discovered him.

 

(photos: Hindustan Times)

I’m spending quite a bit of time with him now:

ON⁻OFF

ON•OFF

Rashad Ramazanov (Lewella Standı)

Rashad Ramazanov

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Agnes Uwimana Nkusi (Matale)

Agnes Uwimana Nkusi

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Low-Rate Movers Seen Traversing the Mountain Range

Khud phxcı k̄hxcĥāng xups̄rrkh

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ORIGIN叄


Jeck of all fades

Philip Jeck‘s Suite is a vinyl release which is comprised of various edits and mixes captured from recordings of various live concerts of his. This method of composition is also how he compiles his CDs – reworking and adding new elements where he thinks they should fit. With a mixture of vinyl crackle, old recordings of melodramatic strings, and a panoply of noisy textures all filtered through electronic flecks of grainy quadruplications, you’re transported to some fractionalized cosmic radio broadcast that still retains a near seamless coherence of a logical compositional strategy. Philip Jeck speaks about his work followed by a question and answer session. Also, I’m including an audio recording of his performance in Linz done on the following evening. The LP, Suite: Live in Liverpool, is available from Touch.

 (thanks to Ars Electronica)

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 (thanks to Touch)

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biz at stas...

Rod Stasick is a composer in the broad sense of the term. He is interested in the creation of event-systems for various situations. Template scores are often created using a combination of graphic signs and symbols that usually suggests a syncretism of styles and methods of performance. Using these methods, he produces works in diverse disciplines (audio, video, text, mail art, conceptualism, etc.) utilizing assorted influences: Eastern Philosophy, Fluxus, The Situationist International, Oulipo, Semiotics, Discrete Event-Systems, random numbers to revamp Zen planning and forms of Information Theory.


  • Psychoacoustics
  • Generative Music
  • Composition
  • Sound Diffusion
  • Interactive Art
  • Installation
  • Sound Design
  • Radiophonic Art
  • Field Recording
  • Electroacoustics
  • Sound Art
  • Performance
  • Sound & Image

  • His studies with Karlheinz Stockhausen (2001-2007) have renewed his interest in various aspects of compositional integration.

    Extensive number of performances
    of experimental works.

    Archivist for the Jerry Hunt Estate


    Percussion studies:

  • Steve McCall
  • Dennis Charles
  • Charles Hammond
  • Gary Burton

  • Eternally grateful to these folks who had, in person, taken the time to encourage me in my compositional work (chronologically listed):

  • Alan Watts
  • John Cage
  • Joseph Beuys
  • Jerry Hunt
  • Alvin Lucier
  • Robert Rauschenberg
  • Merce Cunningham
  • Buckminster Fuller
  • Nam June Paik
  • Charlotte Moorman
  • Anthony Braxton
  • David Tudor
  • Earle Brown
  • Christian Wolff
  • Ben Patterson
  • Karlheinz Stockhausen
  •