Archive for the ‘Ars Electronica’ Category

P’aa

A really great vegetarian restaurant in Linz!
A very nice review.

THE TRAFFIC IS THE MASS AGE

The Swiss Federal Statistical Office is Switzerland’s national center for public statistics.
One of the many bits of information that they keep track of is traffic flow –
especially the number of vehicles and their speed –
in areas such as the very well-travelled Gotthard Road Tunnel
which is the third longest road tunnel in the world at about 16 km.
This information has been transformed in real-time by Sabine Haerri & Yvonne Weber
who have transported it to a bench-like structure embedded with speakers and vibrating platform.
As the traffic increases in this Swiss tunnel over 600 km away,
so do the vibrations sent right up your back as you lie flat and happy.
The hotel in the background is quite wonderful too.

(thanks to Haerri & Weber)

Deep semisoft

Bill Fontana won this year’s Golden Nica in digital sound for his work Speeds of Time, but while listening to this installation along the banks of the Donau, I couldn’t help think how analog an idea this was. It’s a beautiful sculptural sound map of the sound of London’s Big Ben. Imagine tracing the audio imagery of such an audio icon, beginning from the Tower itself and continuing with many microphones spread across special geographic listening points throughout the city. Fontana has been doing these large sound installations emphasizing great distances or the relocation of sound for decades. Spend some time at his website to explore more of these wonderful works.

“My medium is sound. I could create the most interesting piece,
but if it doesn’t translate to the space, it’s worthless.”

(thanks to Bill Fontana)

Taxilink

The TaxiLink Project is an interactive installation that enables users to experience an authentic distant taxi ride. Sitting in the TaxiLink booth, the passengers join a live ride in and around the city of Jerusalem, experiencing personal interaction with a taxi driver screened through a rear view mirror.

(thanks to Lila & Alon Chitayat)

cornea recitals

The Ars Electronica Center, in Linz, reflecting on the Danube.
More than 5000 m² of outer glass utilizing 40,000 high-powered LEDs.

The side of the Lentos Kunstmuseum.
Notice the museum’s name etched in the glass.

A view from a hotel window, after a light rain, of The Hauptplatz – the original market square surrounded by handsome Baroque buildings. It forms the center of the old town. On the eastern side of the square stands the 17th C. Rathaus and opposite it, in the middle of the square, the Trinity Column (Dreifaltigkeitssäule), a 20m/66ft high column of Untersberg marble erected in 1723 in gratitude for the town’s preservation from plague and Turkish attack.

 

neubau

(thanks to onurson)

Return top

biz at stas...

Rod Stasick is a composer in the broad sense of the term. He is interested in the creation of event-systems for various situations. Template scores are often created using a combination of graphic signs and symbols that usually suggests a syncretism of styles and methods of performance. Using these methods, he produces works in diverse disciplines (audio, video, text, mail art, conceptualism, etc.) utilizing assorted influences: Eastern Philosophy, Fluxus, The Situationist International, Oulipo, Semiotics, Discrete Event-Systems, random numbers to revamp Zen planning and forms of Information Theory.


  • Psychoacoustics
  • Generative Music
  • Composition
  • Sound Diffusion
  • Interactive Art
  • Installation
  • Sound Design
  • Radiophonic Art
  • Field Recording
  • Electroacoustics
  • Sound Art
  • Performance
  • Sound & Image

  • His studies with Karlheinz Stockhausen (2001-2007) have renewed his interest in various aspects of compositional integration.

    Extensive number of performances
    of experimental works.

    Archivist for the Jerry Hunt Estate


    Percussion studies:

  • Steve McCall
  • Dennis Charles
  • Charles Hammond
  • Gary Burton

  • Eternally grateful to these folks who had, in person, taken the time to encourage me in my compositional work (chronologically listed):

  • Alan Watts
  • John Cage
  • Joseph Beuys
  • Jerry Hunt
  • Alvin Lucier
  • Robert Rauschenberg
  • Merce Cunningham
  • Buckminster Fuller
  • Nam June Paik
  • Charlotte Moorman
  • Anthony Braxton
  • David Tudor
  • Earle Brown
  • Pauline Oliveros
  • Ben Patterson
  • James Tenney
  • Christian Wolff
  • Karlheinz Stockhausen
  •