La Chambre des Machines

Machines with gears and cranks are manipulated to produce a sound construction where acoustics and electronics meet. Submerged in surround sound, the audience discovers the interaction between mechanical and synthetic sound. With specifically tailored programming, digital processing enlarges the sound palette of the machines. La chambre des machines, by Nicolas Bernier & Martin Messier, stems from a desire to return to the physical world from an environment of digital creation. This project also refers back to the intonarumoris – the sound machines created by the Italian Futurists at the beginning of the 20th century. These machines contained mystifying mechanisms much in the same way that we may approach computers today as having their own perplexing components.

 

 (thanks to Nicolas Bernier & Martin Messier)

circle quirks

Rockbox

Winfried Ritsch has placed seven pianos in a circle of 20 meters diameter forming a heptagram. Eighty-eight robotic “fingers” on each of the seven pianos creates the possibility of a mass of 616 parallel notes which can be controlled via Ethernet from a central mixing location. The work, Heptapiano, becomes an organic formation of sound transformed out of more or less chaotic behavior of these robotic pianos where waves of phrases are synchronized and mutated using various algorithms. The first video, by Peter Venus, is of the setup process. The second, from Marian Weger, is a better slow-walk version that what I had filmed, so I’m grateful. The third is only the final section of one of the ones that I made because the beginning moments are so dizzying that I didn’t want you to watch it just in case you had just eaten lunch. Location: entrance to the Lentos Museum.

(thanks to Peter Venus)

(thanks to Marian Weger)

CHILDHOOD’S END

17950-Grover

What better way to celebrate a hundred posts than to put up a great fireworks display presented in Linz, over the Donau (Danube) on the 3rd of September. 2011 – Feuerwelt. Eine Science-Fiction, plays with a fascinating idea: an extraterrestrial intelligence that wants only the best for humankind watches over the Earth and protects it. “Feuerwelt” (World of Fire) shows humankind’s search for this intelligence and depicts those moments in which the “aliens” have intervened in human history. This narrative is interwoven with human attempts to explain what cannot be grasped – by means of transcendence, mysticism and religion, as well as with the help of science. The work was inspired by the novel “Childhood’s End” by Arthur C. Clarke. The concept was by Beda Percht, the pyrotechnic visualization by Christian Czech and music by Thierry Zaboitzeff whom you may know from the group Art Zoyd. The video contains an edited 47 minutes. Sit back, in darkness, and enjoy.

 

 

(thanks to Manuel Lucca [treparus])

extra-special adept halo

  

  

  

If you’ve visited here more than a few times before, you’ve probably noticed that I’m moved by movement: kinetic art movement especially. Since an early 70’s introduction through books by Guy Brett, John Tovey, and others as well as the wonderful, greatly-missed Arts Magazine, I bought and created, often deceptively (in both opposing senses) simple, kinetic pieces that most often used light as the focal point of the work. Interests naturally expanded into the area of Lumino (retroactively) and later, video art and the creation of video sculpture-based situation-events, so there’s been a continuing and growing attraction for me to this kind of work. I’m mentioning this to point to some of the past posts you may have seen here, but also, to introduce The Particle.

The Particle is a kinetic sculpture that uses a continuous rotation whereby light and speed create “persistence of vision” effects that define the structure of a particular object. It’s as if you are watching an ever-changing but defining pellucid layer that form vacillating inner and outer structures. The sculpture forms and reacts by generating events that modulate the sound and surrounding space which, in turn, changes both the immediate atmosphere as well as one’s perception of the sculpture-event. Because of this formation and reaction of generating events based on continually changing sensory information, the vibrations of color, sound and visual patterns are in flux at one moment or as an encapsulated order during another.

The first video is Alex Posada‘s own explanation of how The Particle was created. The second is a video I made while observing the work. The act of recording video reminded me of how differently one’s eyes react to seeing something wildly kinetic and full of constant color changes. There were clear differences between the color nuance that your brain could interpret and what a camera would catch in a simple recording, but even tho they were different, there’s still a world of visual thrill that you’ll be able to see here. Above are 9 randomly chosen frame shots from the recorded video.

(thanks to Alex Posada)

 

 
 

Lichtpartikelzeichnungen

Motoi Ishibashi & Daito Manabe have created an illumination installation called Particles which initially appears to be mysterious floating lights that create fantastic afterimages. This work centers around an organically spiral-shaped rail construction on which a number of balls with built-in LEDs are rolling while blinking in different time intervals, resulting in spatial drawings of light particles in all kinds of shapes. The illumination’s three-dimensional design, achieved through a fusion of the rail construction’s characteristic features and communication control technology, takes on various appearances depending on the viewer’s position. The viewer can select from several pattern-movements through a nearby display interface. Sound is generated from a combination of
LED flash pattern and ball position while played through an eight-channel setup.
Three videos follow – the last two were shot from my handheld camera.

(thanks to Motoi Ishibashi & Daito Manabe)
 

 

 

 

 

origin②

 

 

A Balloon for…

in-possession-any-iot-of-pleasure

Davide Tidoni‘s itinerate project, A Balloon for… brings to life the sound responses of specific spaces. By bursting balloons, the project discovers unique acoustic sites and invites people to explore space through listening. The video below is a version of A Balloon for Linz.

(thanks to Davide Tidoni)

Continuization loop

Amphisbaenidae-pleach

With Continuization Loop, a single 35mm film loop is pulled up and down over more than 150 guide wheels creating a wall of film. The frames of this piece of film are either black or transparent.
When the loop travels through the mechanism, the image of video static appears.

moosebush-cynology-numberless

While film as a medium normally makes images appear through projection in combination with
the transport of celluloid through a projector, this Wim Janssen work omits the projection and
makes the image appear by means of transport alone.

Ombibeli

The installation combines and imitates visual elements from three generations of visual media:
the material aspect of film, the empty signal of video and the binary logic of digital.
At the same time, the most important attributes of these media are absent:
there is no construction of an illusory film-space, there is no real video image and
there are no computers involved. The first video is from the artist.
The second is from me. Both are silent.

is-of-the-Faction-that-is

(thanks to Wim Janssen)

Algorithmic Search for Love

It was easy to spend a lot of time with this installation. Basically, a supercut generator using words or phrases that you enter at the provided keyboard. The database is the personal film/video collection of Julian Palacz who created this work. His video presentation is self-explanatory. It could also make it easier to create your own video short using changing words such as you’ll see in the second video.

(thanks to Julian Palacz)

(thanks to MattatjeOorlog)

Prewarned Ooze Hit

Kedah

A miniature recreation of the explosion of the Deepwater Horizon oil rig disaster that happened in April of last year as performance. It consists of a realistic model of an oil rig placed, in this instance, in a makeshift swimming pool (with a strong smell of chlorine this particular time) followed by a series of explosions erupting on the small rig complete with plumes of black smoke. A small tugboat arrives to film the explosion with the visuals relayed to a projection screen nearby.

And-caused-Guystarde-out-of-it-to-crepe

Through this recreation, HeHe‘s work, is there a horizon in the deep water?, examines the transmutation of real-life tragedy into an entertainment spectacle while asking us to suspend our disbelief and contemplate the reality of such a catastrophe – touched with a sense of comic relief.
Of course, there’s always the beauty of water reflections.

(thanks to Fabian Mohr)

(thanks to Invisible Dust)

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biz at stas...

Rod Stasick is a composer in the broad sense of the term. He is interested in the creation of event-systems for various situations. Template scores are often created using a combination of graphic signs and symbols that usually suggests a syncretism of styles and methods of performance. Using these methods, he produces works in diverse disciplines (audio, video, text, mail art, conceptualism, etc.) utilizing assorted influences: Eastern Philosophy, Fluxus, The Situationist International, Oulipo, Semiotics, Discrete Event-Systems, random numbers to revamp Zen planning and forms of Information Theory.


  • Psychoacoustics
  • Generative Music
  • Composition
  • Sound Diffusion
  • Interactive Art
  • Installation
  • Sound Design
  • Radiophonic Art
  • Field Recording
  • Electroacoustics
  • Sound Art
  • Performance
  • Sound & Image

  • His studies with Karlheinz Stockhausen (2001-2007) have renewed his interest in various aspects of compositional integration.

    Extensive number of performances
    of experimental works.

    Archivist for the Jerry Hunt Estate


    Percussion studies:

  • Steve McCall
  • Dennis Charles
  • Charles Hammond
  • Gary Burton

  • Eternally grateful to these folks who had, in person, taken the time to encourage me in my compositional work (chronologically listed):

  • Alan Watts
  • John Cage
  • Joseph Beuys
  • Jerry Hunt
  • Alvin Lucier
  • Robert Rauschenberg
  • Merce Cunningham
  • Buckminster Fuller
  • Nam June Paik
  • Charlotte Moorman
  • Anthony Braxton
  • David Tudor
  • Earle Brown
  • Pauline Oliveros
  • Ben Patterson
  • James Tenney
  • Christian Wolff
  • Karlheinz Stockhausen
  •