max neuhaus: medium into the domain

In the late ’60’s, I was introduced to the artistry of Max Neuhaus through one of his most well-known recordings called Electronics & Percussion: Five Realizations. On that LP, he created masterful versions, as a percussionist, of works by Morton Feldman, Earle Brown, Karlheinz Stockhausen,
John Cage and Sylvano Bussotti.

When he died in February, we lost not only a fine percussionist, but a pioneer of sound art
(though this was a term that he eschewed), public art, and sound installation.

(thanks to the Max Neuhaus estate)

undetectable two-step lucifer

default to public: tweetscreen, created by Jens Wunderling, is an installation that shows tweets, which have been written near its own physical location, on a large projection screen. The twitter users, whose tweets have been chosen, receive a reply message, along with a photo taken by a webcam, saying that their tweet has been shown “in public” – at times causing great consternation.

(thanks to Jens Wunderling)


An old-fashioned typewriter is transformed by Christa Sommer & Laurent Mignonneau thru computer interface into a machine that creates the appearance of artificial life. The “paper” is a projection from above. As you type, each key first produces letters but they almost immediately transform into small lifeforms that scurry about the page. They are naturally in search of a food source which happens to be within the next line of text that you type. They eat and reproduce and the offspring search for letters too. There appeared to be a direct connection at times with certain creatures and a particular letter. You could type a whole string of “e’s”, for instance, and some of the creatures would avoid them. If I remember correctly, if a creature was born out of a certain letter, it appeared to avoid it later, thereby avoiding any kind of cannibalistic urge. All of the typewriter mechanics appear to be in place. You could scroll the “page” in order to shove the creatures off the far end or you could scroll towards you and the roller would just eat them up en masse. Writing text on Life Writer is watching your ideas scampering, evolving, regenerating, and sometimes, falling off the edge.



(thanks to itaú cultural)

Right down the street from the Miles Basie club…


Human nature²

In the Line of Sight

Light installation with 100 computer-controlled flashlights by Daniel Sauter & Fabian Winkler.



One hundred Nabaztags on stage with colorful blinking lights, choreographed ear movements,
and wi-fi transmitted composition could have come off as stomach-churning cuteness,
but actually, there were moments when Nabaz’mob – “an opera for 100 smart rabbits” –
was a bit creepy and unsettling, but only for just a bit. Most of the performance was a real showpiece
for the creative choreographic and compositional work of Antoine Schmitt & Jean-Jacques Birgé
who later thanked the audience by tossing carrots to us.

(thanks to our bunny friends)


Osman Khan & Kim Beck bring Grahamesque minimal sculpture with more than a hint of consumerist culture to the city park with their installation when laughter trips at the threshold of the divine.


(thanks to Khan & Beck)


On November 12 of last year there was a combination of elation and confusion spreading across the faces of those folks who picked up what they thought was that day’s New York Times.
Front page headline: IRAQ WAR ENDS
On closer inspection, you could see that it was dated July 4, 2009.

Steve Lambert, Andy Bichlbaum of The Yes Men, along with 30 writers, 50 advisors, and about
1000 volunteer distributors contributed to 14 pages of news for the hopeful that projected
an ideal world scenario almost 8 months in the future.

This project won the Award of Distinction in the Hybrid Art category.
Steve Lambert speaks on how the project came together.
Before you watch this, visit Steve‘s site – he’s a good guy.

(praise to The Yes Men)

Datum Attracts Antioxidant

Ryoji Ikeda and Carsten Nicolai (as Alva Noto) were featured in two separate performances on the same stage at the Brucknerhaus. Nicolai’s unitxt (derivative version) was followed by Ikeda’s datamatics [ver. 2.0]. There were no recordings allowed, but three nights earlier during the Deep Space Nightline Art Cinema event – just a short walk away – inside the Ars Electronica Center you could be treated to Ikeda’s data.tron performance/installation.


  (thanks to


  (thanks to


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biz at stas...

Rod Stasick is a composer in the broad sense of the term. He is interested in the creation of event-systems for various situations. Template scores are often created using a combination of graphic signs and symbols that usually suggests a syncretism of styles and methods of performance. Using these methods, he produces works in diverse disciplines (audio, video, text, mail art, conceptualism, etc.) utilizing assorted influences: Eastern Philosophy, Fluxus, The Situationist International, Oulipo, Semiotics, Discrete Event-Systems, random numbers to revamp Zen planning and forms of Information Theory.

  • Psychoacoustics
  • Generative Music
  • Composition
  • Sound Diffusion
  • Interactive Art
  • Installation
  • Sound Design
  • Radiophonic Art
  • Field Recording
  • Electroacoustics
  • Sound Art
  • Performance
  • Sound & Image

  • His studies with Karlheinz Stockhausen (2001-2007) have renewed his interest in various aspects of compositional integration.

    Extensive number of performances
    of experimental works.

    Archivist for the Jerry Hunt Estate

    Percussion studies:

  • Steve McCall
  • Dennis Charles
  • Charles Hammond
  • Gary Burton

  • Eternally grateful to these folks who had, in person, taken the time to encourage me in my compositional work (chronologically listed):

  • Alan Watts
  • John Cage
  • Joseph Beuys
  • Jerry Hunt
  • Alvin Lucier
  • Robert Rauschenberg
  • Merce Cunningham
  • Buckminster Fuller
  • Nam June Paik
  • Charlotte Moorman
  • Anthony Braxton
  • David Tudor
  • Earle Brown
  • Pauline Oliveros
  • Ben Patterson
  • James Tenney
  • Christian Wolff
  • Karlheinz Stockhausen