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Rod Stasick is a composer in the broad sense of the term. He is interested in the creation of event-systems for various situations. Template scores are often created using a combination of graphic signs and symbols that usually suggests a syncretism of styles and methods of performance. Using these methods, he produces works in diverse disciplines (audio, video, text, mail art, conceptualism, etc.) utilizing assorted influences: Eastern Philosophy, Fluxus, The Situationist International, Oulipo, Semiotics, Discrete Event-Systems, random numbers to revamp Zen planning and discrete forms of Information Theory.

Psychoacoustics
Generative Music
Composition
Sound Diffusion
Interactive Art
Installation
Sound Design
Radiophonic Art
Field Recording
Electroacoustics
Sound Art
Performance
Sound & Image

His studies with Karlheinz Stockhausen (2001-2007) have renewed his interest in various aspects of compositional integration.

Extensive number of performances
of experimental works.

Archivist for the Jerry Hunt Estate

Percussion studies:

Steve McCall
Dennis Charles
Charles Hammond
Gary Burton

Eternally grateful to these folks who had, in person, taken the time to encourage me in my compositional work (chronologically listed):

Alan Watts
John Cage
Joseph Beuys
Jerry Hunt
Alvin Lucier
Robert Rauschenberg
Merce Cunningham
Buckminster Fuller
Nam June Paik
Charlotte Moorman
Anthony Braxton
David Tudor
Earle Brown
Pauline Oliveros
Ben Patterson
James Tenney
Christian Wolff
Karlheinz Stockhausen
Tony Conrad

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